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Theory of Vortex Sound

by Franz Rosati

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Conservation 04:37
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Stokes Drift 04:42
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about

Released on Ripples Recordings 2011

capillarywaves.bandcamp.com/album/theory-of-vortex-sound-outflux-i

As in his past works like Pleisochronous [Dharmasound-2007] or Fields [Brusio Netlabel-2011], Franz Rosati uses scientific metaphors to describe his sonic macrostructures.
Field recordings and old folk music from Middle-East and Europe are the basic material for Theory of Vortex Sound in which they’re transfigured and distorted, melted together and structured in sound masses flowing from a matter state to another, with the aim to handle sound and its informations like a fluid apt to pressure, oscillation, drifts and tension. Macrostructures are compared to a fluid like the rippling effect in the sea, the increasing velocity of a magmatic flux or the steady state of water in an artificial lake. Theory of Vortex Sound is live recorded in a studio situation with the same custom made software used by Franz Rosati in live performance and with no additive post-production intervention that is minimal and limited to find the right balace to listening and preserving dynamics and original timbral character of the basic sound material.

credits

released November 29, 2011

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Franz Rosati Rome, Italy

hypersampling / inner visualizations / formulas

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